Las óleos de todo Benozzo Gozzoli
Choice ID Image  Painting (From A to Z)       Details 
62397 Adoration of the Magi  Adoration of the Magi   1440-41 Fresco Convento di San Marco, Florence Benozzo Gozzoli was a student of Fra Angelico who had a formative influence on him. He collaborated in the pictorial decoration of the dormitory cells in the Florentine Dominican monastery of San Marco, which took place from 1438 to 1444/45. There Fra Angelico and his assistants were painting a small devotional fresco in each cell, while Cosimo de' Medici's double cell (cell 38/39) was furnished with a larger wall painting, the Adoration of the Magi (cell 39) and a Crucifixion with Saints Cosmas, Damian, John and Peter (cell 38, the vestibule). The complete integration of the youthful Benozzo's artistic style with that of Fra Angelico has meant that it is only in recent times that it has been possible to identify with a fair degree of accuracy a variety of interventions by his hand, which were first limited to isolated figures or group of figures. Later he had more responsibility and scholars now agree that he was almost exclusively responsible for the decoration of Cosimo de' Medici's cells. Gozzoli's decisive part in the production of the Adoration of the Magi can be recognised stylistically by the fact that, compared t the works of his teacher, the colours are softer, the plasticity of forms is reduced in favour of sharper contours, and the landscape in the background acts as a backdrop. Here the religious theme of the Epiphany is set in a bleak rocky landscape which rises up behind the Three Kings' retinue. This corresponds to the religious mood of Fra Angelico's pictures and does justice to the fresco's function as a devotional picture
1894 Angels Worshipping  Angels Worshipping   1459 Palazzo Medici Riccardi, Florence
1895 Angels Worshipping 22  Angels Worshipping 22  
26710 Detail from The Procession of the Magi  Detail from The Procession of the Magi   mk52
1896 Establishment of the Manger at Greccio  Establishment of the Manger at Greccio   1452 San Francesco, Montefalco
30422 Interior of Medici Family  Interior of Medici Family   mk68 Fresco,marble,and porphyry Florence,Medici palace c.1459 ltaly
55949 Journey of the Magi to Bethlehem  Journey of the Magi to Bethlehem   mk247 C.1460,fresco(detail),chapel of the palazzo medici-riccardi,florence,ltaly
29148 Madonna and Child  Madonna and Child   mk65 ca.1447 Tempera on panel 35x16 1/2"
1891 Madonna and Child 44  Madonna and Child 44   1460 Detroit Institute of Arts
1900 Madonna and Child with Angel Playing Music  Madonna and Child with Angel Playing Music   1450 San Francesco, Montefalco
41995 Madonna della Cintola  Madonna della Cintola   mk166 1450-1452 Tempera on wood Museum of the Vatican one Rome
30421 Procession of the Magi  Procession of the Magi   mk68 Fresco Florence Medici Palace Medici Family Private Chapel c.1459 ltaly
33362 Procession of the Magi  Procession of the Magi   mk86 1459-1461
33386 Procession of the Magi  Procession of the Magi   mk86 1459-1461 Fresco,Wall width c.750cm Florence,Palazzo Medici-Riccardi
53411 Procession of the Magi  Procession of the Magi   mk231 1459 Oil on canvas
21192 Procession of the Magi (mk08)  Procession of the Magi (mk08)   1459-1461 Florence,Palazzo Medici-Riccardi Four members of the Medici family can be identified amongst the riders; Cosimo the Elder and ,to the right ,his sons Giovanni and Piero di Cosimo,together with Cosimo's illegitimate son Carlo
21216 Procession of the Magi (mk08)  Procession of the Magi (mk08)   1459-1461 Fresco wall width c.750cm Florence,Palazzo Medici-Riccardi
1893 Procession of the Magus Gaspar  Procession of the Magus Gaspar   1459 Palazzo Medici Riccardi, Florence
1892 Procession of the Magus Melchoir  Procession of the Magus Melchoir   1459 Palazzo Medici Riccardi, Florence
62401 Procession of the Middle King  Procession of the Middle King   1459-60 Fresco Chapel, Palazzo Medici-Riccardi, Florence The middle king is represented with the features of Emperor John VII Paleologus. For this representation Benozzo based his work on a medallion designed by Pisanello in 1438. However, he made the face younger and replace the traditional and unwieldy Byzantine tiara with a crown resting on a peacock-plumed velvet cap. Author: GOZZOLI, Benozzo Title: Procession of the Middle King (detail) , 1451-1500 , Italian Form: painting , religious
53416 Scenes From the Life of St.Augustine  Scenes From the Life of St.Augustine   mk231 Oil on canvas
1898 St.Francis Giving Away his Clothes and the Vision of the Church Militant and Triumphant  St.Francis Giving Away his Clothes and the Vision of the Church Militant and Triumphant   1452 San Francesco, Montefalco
1899 The Birth of St.Francis and Homage of the Simple Man  The Birth of St.Francis and Homage of the Simple Man   1452 San Francesco, Montefalco
1890 The Dance of Salome  The Dance of Salome   1461 National Gallery of Art, Washington DC
1889 The Fall of Simon Magus  The Fall of Simon Magus   1461 Royal Collection, Hampton Court, London
23307 The Journey of the Magi (nn03)  The Journey of the Magi (nn03)   1459 Fresco Palazzo Medici-Riccardi Florence
1897 The Meeting of Saint Francis and Saint Domenic  The Meeting of Saint Francis and Saint Domenic   1452 San Francesco, Montefalco
26709 The Procession of the Magi  The Procession of the Magi   mk52 1459 Fresco Palazzo Medici-Riccardi,Florence
40207 The Procession of the Magi,Procession of the Youngest King  The Procession of the Magi,Procession of the Youngest King   mk156 1459-63 Fresco Palazzo Medici Riccardi
33283 The School in Tagaste  The School in Tagaste   mk83 1464-1465 Fresco
1888 The School of Tagaste  The School of Tagaste   1464 Sant'Agostino, San Gimignano
45815 The train of the holy three Konige  The train of the holy three Konige   mk178 Galeazzo Maria Sforza, duke of Milan very to the left on a brown and Sigismondo Pandolfo Malatesta, ruler of Rimini, in addition on a Schimmei UM1460 fresco
19989 The Triumph of st Thomas Aquinas (mk05)  The Triumph of st Thomas Aquinas (mk05)   Wood 90 1/2 x 40 1/4''(230 x 102 cm)From the cathedral at Pisa entered the Louvre in 1813
42859 The Virgin and Child Enthroned among Angels and Saints  The Virgin and Child Enthroned among Angels and Saints   mk170 1461-1462 Tempera on wood 161.9x170.2cm
90223 Triumph des Hl. Thomas von Aquin uber Averroes  Triumph des Hl. Thomas von Aquin uber Averroes   1468-1484 Medium oil on panel Dimensions Deutsch: 227 x 102 cm cjr
Benozzo Gozzoli
Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 ?C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes, now badly damaged, for the Camposanto in Pisa (1468 ?C 84).



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